Emily

I finally made it to another open studio this weekend. It's been a while since I've painted from a model, it's great practice. Emily posed during The Palette and Chisel's open house, which if you came out Saturday thank you for leaving your house in the pouring rain. Another benefit of making it to an open studio is I was able to see their current show, Open House Chicago, there are some really nice pieces and it's healthy to get out of your own workspace for a while and see what other people are doing. The show features mainly Chicago themed works and will be up until October 22, stop by if you can!

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Here is my study of Emily, it's 8''x 10'' oil on panel.

Alex

I dream of being prepared and early for everything but often that doesn't happen. This was an unusually busy weekend since the restaurant I work for was open for Mother's Day brunch. Which means doubles for everyone and less time for me to pull my life together. It was a great turn out though and I hope all of the Mothers enjoyed their day!

Sunday after midnight I realized I forgot to put an imprimatura on the panels I use for these studies. They are also in a box somewhere and I did not feel like rummaging through to find them. Instead of giving up and skipping the open studio I used an old canvas that's been sitting around my apartment. I wasn't able to finish it because the model couldn't make it anymore or some sort of scheduling conflict, there is always a scheduling conflict.  

The old painting was so much darker than what I usually have for my imprimatura so I massed in the lights earlier than normal. I also used charcoal to roughly block in the figure this time. For me seated poses or reclining poses are more challenging. I hope with practice to get better with them. Near the end of the session I re-established the outline and shadow shape, trying to hold on to the drawing. Unfortunately this pose was too uncomfortable for the model to continue with it.

Here is the final sketch. 8 x 10 in oil on canvas.

Elise

I've attempted to make another GIF, this one did not take as much time as my first try HOORAY!!!  I will have to learn how to line up the images a bit better though... maybe I should pay more attention while photographing? Glad we can all struggle through this together:) It's been helpful to look back, as I'm learning what works best for me and what to avoid in the future. Today I tried to start by massing in the shadow and light shapes without as many construction lines as I normally use.

I believe this was the strongest stage in this study, afterwards I did not keep things unified enough.  

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Here is the final sketch.

Jamilla

I have spent more time learning how to make a GIF than painting this study. Sorry for the choppiness it's my first attempt :) I initially just wanted to take pictures throughout the open studio to be able to look back at how I started as I'm still trying to figure out what makes the most sense for me as I'm painting.

Bunny

 

 

What better way to bring in spring than with a model named Bunny? This was painted at an open studio at The Palette & Chisel. I finally got there early enough to get out of the dark corner I usually set up in. Thank you uber pool. I used compara…

What better way to bring in spring than with a model named Bunny? This was painted at an open studio at The Palette & Chisel. I finally got there early enough to get out of the dark corner I usually set up in. Thank you uber pool. I used comparative measurements for this one and tried to make sense of her head tilted up slightly. The critique of needing a frying pan before making eggs kept coming to mind. I continued to go back to the big shape, frying pans are challenging.